Tuesday, June 12, 2012

Midwest Martial Arts Brotherhood Event


Midwest Martial Arts Brotherhood Event

     An exceptional expression of Filipino Martial Arts Brotherhood was firmly entrenched at the Midwest Martial Arts Brotherhood Event held June 9 & 10, 2012 in the St. Louis, Mo. area.  Benefiting the Wounded Warriors Project as its primary purpose bound all of the participants and instructors by their patriotism. 


Mr. Eugene Nepangue, Mr. Joe Craig, Mr. Raul Marquez, Mr. Michael, Mr. John Malmo, Mr.
  Rick Lazo & Mr. Mike Schwarz


Mr. Nepangue presented the very fast close quarter techniques of the Teovel Balintawak system.  Mr. Nepangue presented the lifting & clearing drills as well as how to build from those techniques to remove holds, to disarm & the ability to counter immediately after the technique.  All participants had an exceptional grasp of the basic techniques by the end of the second day. 
Mr. Raul Marquez instructed in the blade based system of Kalis Ilustrisimo.  Mr. Marquez had the distinct honor to be a lifelong student of late GGM Antonio Ilustrisimo as well as the elders, the Vanguards & peers. 
The presentation seminar participants enjoyed the techniques of the Fundamentals of Kalis Ilustrisimo; the fighting stance, angles of attack, counters & basic drills.  Mr. Marquez’ presentation of the ‘Blade of Ilustrisimo’ was exceptional.


Mr. John Malmo represented the Kombatan system.  The knowledge that Mr. Malmo shares each time he presents the various systems within Kombatan are invaluable.  Mr. Malmo shared not only double & single stick technique, but also presented knife with empty hand translation to grappling technique as finishes.
Mr. Malmo has been kind enough to donate his valuable time at the inaugural event last year as well as this year’s event.  Mr. Malmo has been kind enough to volunteer his time for the upcoming event next year as well. 


Mr. Ricky Lazo was kind enough to come share his father GM Fred Lazo’s system of Luzviminda Arnis.  Mr. Lazo presented & displayed a tremendous amount of knowledge with double stick counters, followups & disarms.  Mr. Lazo’s calm and kind demeanor shown through with his patient instruction and his keen attention to details.  Mr. Lazo articulated the techniques of his family system with high proficiency.   Mr. Lazo spent a great deal of time under his father’s tutelage which shone through with each technique.
After GM Fred Lazo’s untimely passing, Mr. Ricky Lazo has continued to carry the torch as leader of the family system and Brotherhood as a whole. 
Mr. Lazo has graciously volunteered to appear at the upcoming event next year as well.

Most seminars are commonly featuring 1 or possibly 2 instructors sharing a weekend event.  There are seminars that frequently boast 4 to 6 hours of instruction.  The Midwest Martial Arts Brotherhood event benefiting the Wounded Warrior Project is a 2 day, 16 hour event with 4 world class instructors in the FMA.

It is truly remarkable to find 1 much less 4 world class instructors willing to dedicate their valuable time and experience to a charitable cause.  It’s fair to say that these are exceptional people in difficult economic times. 

Please remember out event each year and most importantly never forget our wounded veterans as well as fallen veterans.  Reach out to help make a difference for them whenever possible.

               Midwest Martial Arts Brotherhood Seminar group supporting Wounded Warrior Project










Tuesday, May 29, 2012


Mobility and Basic Footwork in the IEAA
                                                                                                                                                   
I was always taught that the long bladed knife or Bolo was the primary fighting tool of a number of FMA systems.  Modern Arnis, as taught by Professor Remy Presas, is an example of this general bladed orientation.  Sifu Don Zanghi, my first Kenpo-Arnis instructor made sure that his students were aware of this orientation and stressed that the rattan stick was a training tool and represented the bolo.  As I read through the introductions of Professor Presas' first 2 books, Modern Arnis: Filipino Martial Art: “Stick Fighting” (1974) and The Practical Art of Eskrima: The Filipino Martial Art of Attack and Defense with cane or bare hands otherwise known as Arnis (1975), it was very clear to me that the blade was the weapon of choice in the Philippines prior to the modern era of firearms.  All anyone needed to do was examine the number of blade types that Professor referred to in his 1974 book on page 10, “...kris, bolo, kalis, laring, barong, gunong, kampilan, gayang, pira, punal, itak banjal, bangkcon, lahot and the panabas” and any doubts about the bladed orientation would be easily removed.   

Given that array of bladed instruments, it seems to me that effective defensive skills, beginning with footwork and mobility are absolutely necessary if one is going to stay alive, healthy and retaining all of their body parts intact.  My first Asian Martial Arts instructor, Sifu Don Zanghi, taught a self-defense style that blended Tracy System Kenpo and Modern Arnis.  He placed a great deal of emphasis on good evasive footwork.  Therefore I am going to follow his lead in this booklet, as I have done over the past 30+ years.  I will introduce the basic fighting stance of the IEKA, the neutral stance and the footwork that drives our IEKA single stick blocking methodology.

One of the benefits of stepping as you stick block or strike is that you will naturally and very easily rotate your hips thereby adding power to both motions.  Since blocks are in reality your first counter-strikes, you want to have both speed and power as you execute your blocks.  The smaller you are in physical stature and muscle size, the more important it is for you to generate as much power as you can from the smallest movements that you make.  This is a form of “economy of motion” or the idea of making 2 or 3 positive things happen at the same time with a single movement.  The full economy of motion concept is beyond the scope of this booklet, but the idea can be found in many areas of movement within the FMA.

In the IEKA instructional format we use the “clock” system to determine where a person is stepping as they are attacking or defending.  This system can also be described in terms of compass directions.  The following schematic depicts the clock system:

                     12

     10:30                  1:30

9                   +                  3:30             

     7:30                 4:30

                    6

As the defender, you will begin your defensive actions from the center (+) spot in the clock and it is assumed that you are always facing 12:00 at the beginning of any sequence of movements.  Your opponent or opponents can be at any spot on the perimeter of the clock, including being directly behind you.  That latter situation will of course necessitate that you take some sort of evasive action in order to turn and face that person(s) as well as counter the opponent’s attack.

All of the directions for you, the defender, will be given in terms of the starting position in the center of the clock and moving in the direction toward one or more of the other positions listed above in the schematic.  Moving in a clockwise progression the compass points would be North (12), Northeast (1:30), East (3), Southeast (4:30), South (6), Southwest (7:30), West (9) and Northwest (10:30).

Neutral Stance:

The neutral stance is the key to our mobility training within the IEAA Escrima Amis program. While the horse stance provides the sturdiest foundation for the legs, the neutral stance allows us to move faster and easier than the horse stance. The reasons are very simple and direct. The horse stance is lower and wider. There is excellent side to side stability, but virtually no front to back stability and it exposes our entire center line or vital organs to attack.   The neutral stance corrects both of those defects although there is of course, a trade-off.  The neutral stance since it is higher is not as stable or strong.   On the other hand the greater mobility that it affords us is a very acceptable alternative benefit.

To establish a neutral stance, start with your feet together, shoulders on the 3 – 9 axis line of the clock and facing 12:00.  Take one (1) full step toward 12:00 with your right foot (RF), pivot on the balls of both feet, turning toward the left or counter-clockwise (CCW) so that you are now facing toward the 10:30 position.  Your feet are pointed toward 10:30, your shoulders are now on the 7:30 – 1:30 axis line.  Take a half-step or stride toward 10:30 with your left foot (LF).  Turn your head to the right and look in the 12:00 direction.  You are now in the basic neutral stance position with your hands at your sides.  Bend your arms at your elbows to raise your hands up on either side of the face in a guard position and bend your knees slightly so that neither joint is in a locked position.  Raise your left heel slightly off the ground.  This is your basic empty hand neutral stance fighting position.

In this position, your hands can protect your face, your elbows and upper arms protect your ribs, you right thigh is protecting your groin from a frontal or 12:00 attack and can rotate your waist to your left in order to further protect your groin from an opponent’s hooking attack originating from the 10:30 quadrant.    You can use inward or outward forearm blocks to protect your chest and mid-section against hooking attacks.  Add a stick to your right hand (RH) and you are in the right side (Rs) forward neutral ready stance for stick fighting using strikes and/or blocks.

Reverse the directions of the feet and establish a left side (Ls) neutral stance.  If you keep the stick in your right hand, place your stick against your raised left forearm, in a horizontal plane and you will be in the left side (Ls) forward neutral ready stance for stick striking or blocking from a backhand orientation.    In  both the right and left side neutral stances, the elbows are kept down and against your ribs thereby providing protection for the ribs.

Neutral Stance Basic Transition Drills - Stepping Through:

1.   Begin with a right side (Rs) forward neutral stance.  Step forward with your left foot (LF) and assume a left side forward neutral stance.

2.   Step forward with your right foot (RF) and assume a right side (Rs) forward neutral stance.

3.   From the current right side (Rs) forward stance, step back toward 6:00 with your right foot (RF) and assume a left side (Ls) forward stance.

4.   Step back with your left foot (LF) and assume a right side (Rs) forward neutral stance.

 These "step-through" drills allow us to make the basic stance transitions while maintaining the same type of stance, merely shifting from a right foot lead to a left foot lead and then back to the original right foot lead.  We can advance or retreat in a protected body positioning sequence.   One consideration that must  be kept in mind when using the 'step-through' transitions is the need for protecting your groin while moving forward or backward and changing the lead sides. The legs must never be opened too widely.  A quick natural turning of the hips must accompany the steps, so that your groin and bladder areas are not facing forward and unprotected. Your shoulders and hips must always be re-aligned along one of the lines of the "X" axis from 1:30 to 7:30 or 10:30 to 4:30, as quickly as possible in order to prevent a kick or punch to those areas.

Push-step:

The push-step is a quick forward or reverse movement to either close or open the distance or "gap" between yourself and your opponent.  Start from the Rs neutral stance and push off with your rear foot, and step toward 12:00 with your Right Foot.   Your rear foot should land in front of the spot vacated by your lead foot.   If the lead foot moved 6 inches, then the rear foot should move the same distance forward.  You should still be in a balanced, Rs neutral stance.  To move back or retreat, push back with your lead or RF, as your rear or LF steps back toward 6:00. You should still be in your RS neutral stance at the end of the procedure.  The push-step may also be used on a forward angle toward 10:30 or 1:30 or on a retreating angle toward 7:30 or 4:30.  This angled movement is sometimes referred to as "Triangulation".   It is a very important, yet basic, evasion maneuver.
 
Shuffle:

A series of push-step maneuvers used to cover a greater distance than can be accomplished with two or more push-steps in any direction.  The shuffle allows the user to remained balanced and in a protective neutral stance while moving.

In-place Stepping:

This stepping method is used to establish a strong base for blocking and striking by shifting your weight from one side of your body to the other while maintaining a solid well balanced neutral stance.  The transition from your Rs neutral stance to the Ls neutral stance is accomplished by stepping forward with your LF to the 12:00 position next to your RF and stepping backward toward 6:00 with your RF.  Returning to the RS neutral stance is completed by stepping forward to 12:00 with your RF, placing it next to your LF, then stepping back to 6:00 with your LF, to establish the RS neutral stance.   In-place stepping is used    to hold your position, without gaining or losing ground.   It is very effective and useful on wet slippery surfaces, where there is a strong possibility of slipping    and falling as you try to defend yourself against an attacker.

Lateral Shift Step:

This is a side to side variation of the in-place stepping technique. Starting from a RS neutral stance, step toward 10:30 with your LF, then step to 6:00 with your RF. You are now in the Ls neutral stance.   Return to your Rs neutral stance is achieved by stepping to 1:30 with your RF and to 6:00 with your LF.  The lateral shift step allows you to change your position to either side of your original starting point as you defend yourself against an attack and set-up your counter-attack.  It is a form of “triangulation”

V-Stepping:

The V-Step pattern is another angled stepping pattern.  It utilizes the rear step of the in-place pattern, however instead of stepping straight forward to change the lead foot, the second step is angled.  This pattern also has the added element of shifting from one point to an entirely different place or position that is not easily done with the lateral shift step movement.  The major advantages of V-stepping are in the positional changes that can be added to the initial rear step.  With the V-steps you can easily add a step to your left or right sides as well as a second rearward step of open a wider gap with your opponent.

Side Stepping:

The side step is fairly easy to do since it involves both feet moving in the same direction and maintaining  your shoulder width placement and neutral stance orientation without changing from the Rs to the Ls or vice-versa.  The stepping rule is quite simple, if going to your right, step first with your right foot, then move your left foot and place it in position on the floor re-establishing your Rs neutral stance.  If you side step to your left, move your left foot first, then your right foot and re-establish your Rs neutral stance.

Cover and Turn:

In a street confrontation, where there are no judges, referees or rules of sportsmanship being followed by your opponent(s).  It is very important that you have mastered some evasive movements and avoid being struck or cut so that you can effectively counter-attack with speed, strength and power.

Cover and turn allows you to survey the area around you and turn to either side or toward your rear quadrant, with relative safety and maintaining good balance and using only a minimal amount of movement on your part.  Place yourself in the Rs neutral stance and then assume that you want to turn so that you can face 6:00. To accomplish this goal, you will step toward 10:30 with your RF, pivot on the balls of both feet, with the toes of both feet pointing toward 7:30, your shoulders on the 10;30 to 4:30 axis, you should be looking toward 6:00 in the Ls neutral stance with your stick in front of your right shoulder.  You have just completed a cover and turn movement. 

To return to the 12:00 position, step toward 7:30 with your LF, pivot on the balls of both feet, with your toes pointing toward 10:30, your shoulders will be on the 1:30 to 7:30 axis of your clock and your head is turned toward 12:00 and you have reassumed your original Rs neutral stance.  (Please note that you will have moved 2 steps to your left after you complete the return to your original Rs Neutral stance.  You have NOT done anything incorrectly.  The Cover and turn maneuver takes you off the original 12 – 6 axis line and establishes a new 12 – 6 (or N – S) axis line with each turning movement.)

If your goal is to turn to face either 3:00 or 9:00 from your Rs neutral stance, cover and turn will help you accomplish going to either direction. To change and face 3:00, step toward 10:30 with your LF, pivot on the balls of both feet, pointing your toes toward 1:30 and your shoulders will be on the 4:30 to 10:30 axis and you can face 3:00, and you will still be in a Rs neutral stance with your stick in front of your right shoulder. 

To transition to face 9:00, from your Rs Neutral stance, that is oriented toward 12:00, step toward 1:30 with your RF, pivot on the balls of both feet and point your toes toward 10:30, placing your shoulders along the 1:30 to 7:30 axis, you will be facing 9:00, and in a Ls neutral stance with your stick in front of your right shoulder.

It is extremely important that you learn how to use the "cover and turn" technique, because you should never assume that you will always be faced by only one nasty person at a time whose intention is to hurt you. The ability to quickly turn and change your body positioning, correctly while covering yourself, is a vital skill that could be the difference between escaping serious injury or death on the streets.

Neutral Stance Four Directions Cover and Turn Drills:

The Right Side Orientation:                                The Left Side Orientation:

12:00 Rs neutral stance                                       12:00 Ls neutral stance

9:00 Ls neutral stance                                             3:00 Rs neutral stance

3:00 Rs neutral stance                                             9:00 Ls neutral stance

12:00 Ls neutral stance                                         12:00 Rs neutral stance

6:00 Rs neutral stance                                             6:00 Ls neutral stance

12:00 Ls neutral stance                                          12:00 Rs neutral stance

3:00 Rs neutral stance                                              9:00 Ls neutral stance

9:00 Ls neutral stance                                               3:00 Rs neutral stance

12:00 Rs neutral stance                                          12:00 Ls neutral stance

Close                                                                          Close

In the IEKA curriculum we train our students to utilize both their right and left side movements.  The reality of combat confrontations is that you do not know what angle or direction an opponent may choose to strike from, therefore, you must be prepared to defend every angle or degree of the clock.  You have to be comfortable moving to or from both your strong (dominate hand) and weak sides.  Therefore, above I have included the left side orientation of the cover and turn drill.  Practice these  drills on both sides and never allow yourself to develop a “sugar side” or a one sided orientation in the combat/self-defense arts.  Go back to earlier sections of the booklet and practice everything shown on both the right and left sides of the body.  An attacker will never willingly or graciously attack you only on your strong side and always after giving you ample warning that he/they are coming.  Please keep in mind something that I post in ALL of my curriculum handouts:

Prior proper preparation prevents piss poor performance!”  
Jerome Barber, Ed. D.
GM and Mataw Guro,
Independent Escrima-Kenpo-Arnis Associates

Friday, May 25, 2012


SPEAK SOFTLY & CARRY A FAST STICK
-----------------------------------------------------------
Escrima, Kali, Arnis, or Eskrido--call it whatever you want, but remember within those names lies one of the world's most effective and most deadliest martial arts, an African/Asian system of martial arts that threw fear, and terror into the hearts and minds of the Japanese during World War II.
 
Recently, on May 20, 2012, at the Stars Recreation Center, located in Vacaville, California., a national, and an international large gathering of martial artists all came together as one force in order to welcome one of the legendary Bruce Lee's top former students, 10th. Degree Grandmaster Richard S. Bustillo.
 
Also known as the "Iron Dragon" GM Bustillo is the founder, and the chief instructor of the (IMB International Martial Arts & Boxing Academy) located in Torrance, California. As one of the original students of Bruce Lee, GM Bustillo performed, and gave an immaculate workshop & interview account regarding his personal experiences of what it was like training under the the legendary 'King of Kung Fu' Bruce Lee. Many of these stories can be found in GM Bustillo's new book/ autobiography titled: 
THE IRON DRAGON: By Richard Bustillo.
 
Also on board this event were the co-founders of "Angel's Disciple's" & WSEF Honorary Grand Master's Darren Tibon, and Jerry Preciado. Both of these extraordinary Grandmaster's are "Cabales Serrada System of Escrima" Master Graduate students trained directly by the late legendary stick/knife fighter *Supreme Grand Master* Angel Cabales. SGM Angel Cabales founded the very first official Filipino martial arts academy in America in 1966, in Stockton, California. Also known as the "Father of Escrima in America" Angel Cabales passed on in 1991. In honor, and in memory of his father's Filipino martial arts legacy; His youngest son, Master Guru Gelmar Cabales made a special guest appearance at the Stars/ WSEF martial arts gathering.
 
Bringing GM Richard Bustillo, and Master Guru Gelmar Cabales both together at the Stars Recreation Center was by no means an accident. This is because Grandmaster Richard Bustillo is one SGM Angel Cabales' 1st. generation 'Advanced Cabales Serrada System of Escrima' graduate instructor's, as was the famous Guru to the stars, Dan Inosanto.
 
The real Stars behind the scenes that pulled together in order to put on such an illustrious show were all "World Serrada Escrima Federation" (WSEF) representatives. Representatives include Master of Ceremonies; Bob Langley. Bob Langley is the owner and operater of: Langley's Karate School located in Rocklin, California. As the primary coordinator of the function, Master Langley conducted a flawless close-up candid interview on honored gueststar, GM Richard Bustillo.
 
Master Langley also presented three very special 'WSEF Honorary Grand Master's Awards' to Vallejo, California, 9th. Degree Kajukenbo Grandmaster Woody Sims, and also to former California Department of Corrections Officer & 5th. Degree Iron Dragon Tactical Weapons Instructor/ Steve Toscano. WSEF Honorary Grand Master Toscano was also commisioned to pass on a special 'WSEF Honorary Grand Master's Award' to his Former Chief CDC Supervisor Officer/ Retired Captain Ray Novencido.
 
As far back as 1984, retired CDC Officer Captain Ray Novencido assisted WSEF Presiding President & Grand Master *D*, along with SGM Angel Cabales in formally introducing the fine art of 'Cabales Serrada Escrima' into several California Prison Institutions, as well as into other California law enforcement angencies. In 1990, Grand Master *D* relocated to Germany, and while there he in turn established an affirmative 'DC/Serrada System of Escrima' "tactical close-quarter weapons training program" within Germany's special anti-terrorist task force known as (GSG9).
 
GM Richard Bustillo & GM *D* Anthony Davis

Today GM *D* in conjunction with Grandmaster Richard Bustillo, have trained several (SAS) & (GSG9) special anti-terrorists officers in the fine arts of Eskrido, Serrada Escrima, and Jeet Kune Do.
 
Grandmaster Richard Bustillo's life dedication to the spreading of both of his former teacher's arts, Bruce Lee's & SGM Angel Cabales', initiated him to be awarded the "WSEF Honorary Supreme Grand Master's Award". Indeed martial history was made in regal form at the place of the STARS.
 
To order a DVD copy of this historical event email ($39.99) to:

Saturday, March 24, 2012

Soke GM Gary Dill Interview
Founder of the JKDA
Tuhon Roberto Torres Interview
Guro of Sayoc Kali
Guro of Vee Kuntaw an original system of GM Vistacion
Founder of the Taleo System

Thursday, March 22, 2012

     The foundational blade-based movements and tactics from Modern Arnis including those done with the Presas family styled bolo, and other bladed weapons, sticks, or empty hands were highlighted and explained at Dr. Jerome Barber's November 2011 in East Aurora , NY. Concepts such as preemptive movement, interception, and angling off-line with shifting and footwork were presented prior to blocking and countering. If the block was even used it was actually an attack or used with one. An analysis of tool/weapon characteristics and battlefield tactics helped place certain maneuvers in context and offered additional insight to some of the general practices and techniques found in the art. It is actually too graphic for me to describe in detail.
      In an Anatomy and Physiology class and in  many situations since I've heard that, "Form follows function." I continue to hear that theme in the teachings of Dr. Barber, Bram Frank, and other realists who explore functional movements in Modern Arnis as well as other arts and approaches. These guys are aware of the 'cutting edge' concepts in what many see as a stick art. From a self-defense perspective it seems that whatever will help you survive a threatening encounter--whatever tool or technique will work in that moment is the choice to choose if you have justification--therefore the correct form to use is the one that will work for you. Functionality becomes the primary criteria for form, especially when speaking weapons.
      Pedagogically speaking, I recall that Bram emphasizes learning the blade first to understand the stick versus the other way around. Certain things become real clear then; as the blade has a way of keeping us honest in practice. Practicing with edged training tools and proper protection is worth it as far as dealing with worse case scenarios, and it helps bring about so many attributes and skills like fluidity, footwork and body shifting, balance, targeting-acquisition, distancing, timing, agility, coordination, and flow.
     We worked back and forth with various partners in the small group seminar setting that session and would give or feed and receive attacks. I particularly liked how working with a weapon accentuated the flow of my counterattacks which may have served as a defensive necessity, but created the opportunity to give back more than what I was receiving. So when the high forehand or backhand strike would get fed to me during our training drill, I was able to practice evading and/or block with a counter plus two more shots. When that third strike of mine was fed to the same angle I responded to, my partner had his cue to work his entry and follow up just as I did. We ended up performing a mix of a feed drill and a flow drill. We were able to get in a great deal of good repetitions by doing what Bram Frank's book Conceptual Modern Arnis described, "Modern Arnis expects those that learn its abecidario to understand the translation between stick, sword, knife and empty hand." Actually he said so much more in that book which Dr. Barber contributed to also. I am thankful for the insights influence of these practitioners and would strongly advise those interested in investigating a weapons-based art to look into the resource I mentioned.

Tuesday, February 28, 2012


FMA Midwest Seminar event to benefit the Wounded Warrior Project. 2nd annual event by M.Schwarz productions. The WSEF making significant strides towards FMA Brotherhood along with benefiting the community at large.

Sunday, February 5, 2012

The Conceptual Framework of FMA Practice

     Many times have I heard teachers in my martial art training experience mention triangles, circles, and squares. One such example involved three sides of a "learning" triangle representing fighting skill, technical skill, and drill/play. You see this diagram, if you would imagine it, said something about the way one might learn to fight or develop skill in surviving violence.
    As the story had it, one could theoretically learn just by fighting a bunch, but at a cost. Then there could be learning through drilling--hopefully correct responses--repetitively. The emotional factor may get lost if application isn't obvious enough to excite the participant to keep repeating or applying such an awesome or important maneuver; otherwise good repetitions are required and worth the cost if we are to use such skills for survival lets say... Knowing that motivates me to work on some of the same stuff time and time again. The technical aspect deserves its attention too, and putting it into play, functional drills, and sparring allows for authentic assessment of said skills. That brings me to play which is well known for its ability to promote growth in children and those who engage in it. Now I don't think that play by itself could lead to much discovery in combat, but when combined these three elements offer a way to combine and cover material and possibly apply functional tactics and techniques too. So play with an objective can be productive, and the limits are endless as are the opportunity for exploring, discovering, applying, synthesizing, comprehending, etc.
     Depending on your objective, activities may vary but a few learning methods I have used are training alone, alone and with an object or two, with a partner and no object, a partner and an object we share, a partner and an identical object we each have, mirroring, shadowing, or mimicking are also primary ways of learning countless techniques or reviewing movements. Patterns are things are brain naturally picks up on, a naming allows us to identify and describe laws at work when we do what we do. A well rounded practice with a degree of directness and simplicity along with real life effectiveness is what I strive for, and model from others. So many have shared techniques, and others drills, and each the spirit behind the art, and science of Eskrima, Modern Arnis, Kali, KunTao. So many guides pointing us towards such good stuff that is just waiting for us to put in the time and gain the experience...Thank You to them and all of you for following this topic. I hope we can keep bringing these arts full circle as we broaden our triangles!